A photo essay of classic Japanese movie monsters.

Where Western movies used animated clay figures, the Japanese used men in costumes on miniature cityscapes. Some of those cityscapes were elaborate and beautiful.

Godzilla is drawn from Japan’s lived experience at the receiving end of a nuclear bomb attack. The texture of his skin is based on the scars carried by Hiroshima survivors. Godzilla is also based on the Shinto god of destruction, “which Godzilla B-movie maker Shogo Tomiyama says operates not in service of humankind, but rather the laws of nature. ‘He totally destroys everything and then there is a rebirth,’ he says, ‘Something new and fresh can begin.” Godzilla isn’t good or bad. It just exists.

“Aggravation is an art form in his hands.” RIP Regis, my friend and companion on many a business travel hotel room morning in the 90s and 2000s.

I have an idea for a movie. An action-comedy about two cops who are partners and best friends and who bicker a lot. They are out to take down a wealthy drug dealer. There are car chases and gunfights. Their captain shouts at them.

We watched Bad Boys tonight, which we had never seen. It was the least enjoyable film I have watched all the way through.

This is a good look for me. In no way does it make me look threatening or mentally unbalanced. 📷

More than half the people born in 1980 are over 40. My brain cannot process this information.