Mitch Wagner

It was very enjoyable. I see fans ranking it as third of the five Indy movies. I’ll go with that.

They did a great job de-aging Harrison Ford for the opening sequence. Apparently this was a result of skilled direction as much a CGI; I noted they cut the camera away from Indy when he was about to do something too athletic, and then cut back to him when the athletic thing was complete. Often, action featuring Indy was shot from the rear.

This quick-cutting was also done in scenes where 1969-Indy is being athletic. For example, in the scene where Indy steals a police horse, we see him standing next to the horse, then we see him on the horse, but we don’t see him getting on the horse. Presumably octogenarian Harrison Ford understandably had a little trouble there.

Still, Ford is in fantastic shape for an 80-year-old. He’s in good shape for any age.

When we watched the second “Ant-Man” movie, where they de-aged Michael Douglas for flashback scenes, I noticed that Douglas looked young, but moved like an older man, a little stiff, like his joints bothered him. Ford doesn’t have that stiffness.

In another instance of casting an older man in an action movie: The 1996 “The Rock” starred Sean Connery, then 66 years old. I noted at the time that the camera cut away whenever the action called for Connery to run.

They had the right amount of pathos at the beginning. A friend who works in Hollywood said Hollywood writers eventually come to hate their characters, and start to torture them, which often makes long-running TV shows hard to watch. Similarly, at least one of the Tobe Maguire Spider-Man sequels was a downer, featuring depressed Peter Parker. “Dial of Destiny” could have gone that way, as we open the 1969 sequence with washed-up sad lonely Indiana Jones. But the movie spent just the right amount of time on that bit, before launching into the action, where Indy perks up.

They had the right amount of fanservice. Sometimes it seems like you need to take a college class to appreciate the Marvel movies, or Star Trek, or Doctor Who, what with all the references to events and characters from previous movies and TV. “Dial of Destiny” had just the right amount of that kind of thing. Hey, it’s John Rhys Davies, and there’s Indy’s fedora, bullwhip and leather jacket. Cool.

Harrison Ford does a great oh-shit face. I feel like this is a formula in every Indiana Jones movie. Indy does something swashbuckly and sneers at his enemies. He enjoys the triumph for a moment and then realizes he’s badly outnumbered and outgunned. Oh, shit.

I was surprised by character development and feelings at the end. Didn’t expect quite so much heart.

Phoebe Waller-Bridge almost stole the movie. And stealing an Indiana Jones movie from Harrison Ford is something. I could absolutely watch a series of Indiana Jones sequels featuring Waller-Bridge. There’d be a scene at the beginning of each movie where her character consults with Indiana Jones for a few minutes, but that would be the extent of Indy’s involvement in the movie.

I could also watch a series of movies featuring Archimedes as Bronze Age Indiana Jones. I don’t think the ancient Greeks or Romans had giant arrows that could be used to shoot down fighter planes. I don’t think they had much in the way of artillery at all, unless you count catapults as artillery. Did they even have catapults? Idk. But the Ancient Greece bits were fun.

The movie did a great job recreating 1969 New York. I grew up on Long Island, and spent time in New York in in the mid-late 1970s, and it was like that.