Beautifully colorized, and the soldiers have been given voice, apparently by lipreading and actors. Comes to theaters next month.
The “Game of Thrones” author’s Wild Cards series are set in an alternate history where an alien virus in the 1940s gave superpowers to a tiny fraction of humanity. Martin worked on the books with Melinda Snodgrass and a team of about 30 collaborators, each writing individual stories in the larger universe.
I loved the first dozen or so volumes of the series, and I’m looking forward to the TV show.
Dalya Alberge at The Guardian:
It is a sprawling fantasy featuring deformed humans, superheroes who can read minds and fly, and plot lines exploring issues such as bigotry and raw political ambition. Like the blockbuster TV hit Game of Thrones, it is also based in part on the work of the cult fantasy writer George RR Martin.
Now Hollywood is betting that a major TV adaptation of Wild Cards, a series of science fiction books grounded in gritty realism that Martin began writing 30 years ago, can emulate the extraordinary worldwide success of the HBO show. If it does, it will fulfil the dreams of Martin’s collaborator on Wild Cards, Melinda Snodgrass, who has struggled in vain for 12 years to interest film and television producers.
The US writer and editor was praised by executives, only to be given excuses about why the books were not for them. She refused to be bowed by rejection and her determination has finally paid off. She is now heading an ambitious TV adaption of the series backed by Universal Pictures.
The New Yorker found 1940s film taken while driving around Los Angeles streets, and followed the same course with a camera today.
The 1940s footage is a better-looking city. The New Yorker explains why.
Even then it was a city made for cars, though a lot less traffic than today.
Film has been essentially unchanged for more than a century. The biggest advance was the addition of sound 90 years ago, followed by color; everything else is incremental upgrades.
Compare that with the churn of audio recording technology during the same period: Wax cylinders, vinyl disks, 8-tracks, cassettes, CDs, and now digital.
Film is, finally, being eclipsed by digital projection, and will likely be dead technology soon. But film is still hanging on.
One of several cats with the stage name “Leo,” Jackie was domesticated and gentle – by lion standards. He appeared in several movies, as well as the opening roar that runs before the credits in films including The Wizard of Oz
The studio put him in a monoplane in the 1920s to travel across the US, but he crash-landed in the Arizona desert. He survived unharmed, and toured the US on the ground. But lions aren’t built for that kind of treatment.
AKA Leo [The Memory Palace]
Leo the Lion (MGM) [Wikipedia]
Photo source: Wikipedia
This was a fun game on Twitter Friday night: Come up with a line that badly explains a film plot, and tag it #ExplainAFilmPlotBadly
That should be “man,” of course.