The case hinges on a theory of emotion that’s relatively new but that has become commonly accepted: That emotions are out of our control; they happen to us, as a result of external events.
But recent research indicates that’s simply not the case. Emotion, says the research, is learned. And no single emotion is universal – not happiness, sadness, anger, fear – none of those emotions are present in every culture on Earth.
The new emotion is called “liget.” It doesn’t map to any feeling the anthropologist is familiar with.
It’s so powerful that sometimes it drives members of the tribe to become headhunters.
But only sometimes. Other than that they’re lovely people.
If I could wish for any superpower, it would be the ability to remember where I park.
Alfred Hitchcock's The Birds but they're hummingbirds chasing as you run screaming down the road, never spilling a drop of your piña colada.
— Banana Graveyard (@bananagrvyrd) September 16, 2017
Uber drivers are people in transition – not just driving from place to place, but also through life changes. On the Death, Sex & Money podcast, Anna Sale and producer Katie Bishop called a lot of Uber rides over a month, and interviewed the drivers about their work and lives.
Naismith set the baskets 10 feet off the ground, for no particular reason, and that decision shaped the game through the decades, giving the advantage to super-tall players and even helping drive the civil rights movement in the 1960s.
Drinking a pumpkin spice latte. I cannot remember ever having had one before. It’s fine, but I’m underwhelmed.
Ostensibly first person “tough guy” detective novels, these are really extended meditations on the good life: what sort of person one should be, how one should act, what’s worth doing and not doing. Spenser has created the person he wants to be, and it’s a person that comes with high costs.
The dialogue is good, the plots are sometimes good, the characters become old friends and cliches over the length of the series. All the books are not as good as each other. Still, they were comfort food bestsellers for years.
The first Spenser novel, “The Godwulf Manuscript,” 1973, was a forgettable Raymond Chandler pastiche. Parker said so himself, and he was right. Spenser finds his voice — and Susan Silverman — in “God Save the Child,” 1974. I gobbled up the books in the series when I was in my 20s, and thinking about how a man should live.
The series turns weird in 1985; I found it difficult to connect with Spenser’s motivation in that year’s “A Catskill Eagle.” Then after that Parker has run out of things to say and he’s just cranking them out for the paycheck (not that there’s anything wrong with that!). The novels after 1985 are, as Welsh says, comfort food (not that there’s anything wrong with that!). But books 2-11 are brilliant.
Parker wrote a total of 40 Spenser novels. A writer named Ace Atkins wrote a half-dozen after Parker’s recent death. I read the first two. They were OK — actually better than Parker’s later novels, and I may come back to the series but it’s not compelling for me.
Welsh also praises a writer named Brian Daley, who was a favorite of mine before he died too young. Daley wrote a comedy-adventure space opera series starting with “Requiem for a Ruler of Worlds;” the Coramonde series, about an Armored Personnel Carrier in the Vietnam War that’s transported to a magic kingdom (Apocalypse Now meets Game of Thrones!) and “A Tapestry of Magics,” which I have no memory what it was about but I remember the hero carried a broadsword slung between his shoulders, which I thought was badass.