Cory on moving from London to beautiful downtown Burbank, California:
Burbank is its own little village. We’ve got a 2.5-mile-long stretch with no chain stores. I don’t own a car. We walk everywhere. We live five minutes from the airport. It’s very handy and weird and surreal. It’s where they shot the B-footage for ’50s TV shows, so everything feels eerily familiar in a Father Knows Best kind of way.
Burbank has just become our new normal, we’re settled in, we’re about to get our green cards. The bureaucracy is crazy, but it’s a one-time thing and that’s how I maintain my sanity, by saying, I never have to figure out how to get my Canadian long-form birth certificate again. So, I will spend this afternoon trying to figure out the office address of the doctor who delivered me 44 years ago for the Canadian government, but then never again.
On the role of fiction:
I don’t know that there’s a “the role,” but I think that one of the roles that fiction plays is that it’s entertaining. Fiction is primarily about empathy. It’s about pretending you’re someone else and experiencing their emotions. In the same way that getting a back rub feels nice, because it’s good for your muscles or whatever, I believe that thinking about what it would be like to be someone else is just intrinsically satisfying — at least for people within one or two sigmas of normal cognitive activity. Science fiction can also give us an emotional fly-through of a technology. It can be like an architect’s rendering of what it would feel like to live inside a technological regime, and so science fiction has been very useful in policy fronts in that regard.
… Facebook wants to get rid of the internet and replace it with Facebook.
On his next novel, Walk Away, his first novel for adults since 2009:
Walk Away was inspired by the historian and activist Rebecca Solnit, who wrote the book A Paradise Built In Hell, about the gap between how people who live through disasters experience them, how they are reported, and how political and economic elites react to them. She starts with the 1906 earthquake in San Francisco, and she shows this recurring pattering called “elite panic,” where rich people are convinced that when things break down the poor people are going to come and eat them, basically. So the rich preemptively attack the poor. Like General Funston keeping people out of the mission as it burned during the 1906 earthquake. He actually sent out detonation squads that didn’t know how to set fire breaks. They burned down a quarter of San Francisco, and didn’t let anyone go back and fight the fires in their homes. Or in Haiti — the ironclad belief that there would be food riots led to the creation of food distribution centers that were pretty much custom-built to create riots. Or in New Orleans, where there were no verified accounts of looting (as we understand it), besides people taking supplies and leaving IOU notes with the intention of settling up once the owners returned. Nevertheless there were Blackwater mercenaries and rich white neighborhood associations who were shooting to kill because they were convinced that there would be looting. There is this gap between how people behave and how elites believe people will behave.
Walk Away is a utopian disaster novel. It’s a novel about a disaster where people behave well.